Charulata, Zen Moments and more..

NEWS

Charulata

( Work by Gautam Mukherjee)

Jamaat Art Gallery, Mumbai presents Chaarulata - Satyajit Ray's 1964 film adaptation of Tagore's 1901 novella Nastaneerh, was one of the sublime collaborations spanning the ages. Now, 50 years after Charulata was released, Gautam Mukherjee draws on this timeless story for a series of paintings called Chaarulata, commemorating this film.

Gautam has created the series based on this iconic character. Rich in colour and form, each work is inspired by a small vignette reflecting Charu’s exploration, creation and use of objects around her. The artist painstakingly evokes the nuances of a typical Bengali household, sensibility and culture through his intricate and vibrant art works.

The show is on view till 30th April 2014.

The Persistence of Form

( Work on display)

Gallery Third Eye, Bangalore is organising an art exhibition titled, ‘The Persistence of Form’ displaying art works by artists Vijay Nagvekar and Runa Biswas at its premises. The exhibition focuses on vibrancy, sensitivity, richness and the depth of Indian art. It highlights the creative nuances of artists with their varied styles, mediums and imagination.

The show is on view from 11th April to 30th April 2014.

Zen Moments

(Work on display)

Gallery Nvya, Delhi in association with Delhi International Airport Pvt. Ltd. is hosting an art exhibition titled 'Zen Moments'. Focused on relaxation, tranquility and pleasure, the art exhibition will showcase an amalgam of fine works of established and emerging artists.

The artists whose artworks are on display include, Chinthala Jagadish, Deepak Sonar, Dharmendra Rathore, Jehangir Sabavala, Kazi Nasir, Lal Bahadur Singh, M.F.Husain, Manu Parekh, Madan Lal,  Manoj Kachangal, Mohammed Osman, Nabibakhsh Mansoori,Nayanaa Kanodia, Nupur Kundu, Paresh Maity, Piu Sarkar, Pratap SJB Rana, Ramakanth  Thumrugoti, Ravi Gossain, Revati Sharma Singh, S H Raza, Sachindranath Jha, Sangeeta Singh, Sarang Singla, Shipra  Bhattacharya, Shuvaprasanna, Suman Gupta, Surya Prakash, Vinita Dasgupta, and Vinita Karim.

The show is on view till 24th July 2014.

( News reports by Sushma Sabnis)

FEATURE

Giant With a Human Face

CCI’s golden jubilee celebration begins on April 3.

( Chhaya Chitra)

In the post-Independence renaissance and regeneration of Indian handicrafts, many personalities played significant roles. Among them stood out Kamala Devi Chattopadhyay, a visionary. She set up the Crafts Council of India in 1964, a voluntary, non-governmental, not-for-profit registered organisation to enhance, protect and nurture India’s heritage.

Today CCI is on the threshold of its golden jubilee, celebration beginning on April 3. The banyan tree called CCI is a family of 10 affiliated State councils and a larger one of hundreds of artisans spread across the country, whose lives it has touched and even transformed.

CCI extends this support in multi-pronged ways. Through workshops and seminars, upgradation of tools and technology, design and product development through the help of experts, marketing exercises such as sales, bazaars and sending artisans abroad for demos and sales. It also helps in research and documentation that preserves knowledge for posterity. Among its landmark documentation is the three-volume ‘Stone Craft of India.’

Awards for artisans

( Weaver's children at the camp)

CCI recognises excellence through awards and scholarships for artisans. It’s ‘Educate to Sustain’ programme creates opportunities for craftsperson’s children through education, training and exposure. The Craft Economic and Impact Study (CEIS), which CCI has undertaken will provide government authorities with a reliable data base involving perhaps 200 million artisans.

“Yes”, says Vijaya Rajan, CCI Chairperson, who has grown with the organisation since its inception. “I've been through it all, the early years of operating from each other’s homes and even from our sick beds! Organising exhibitions and workshops, as president of CCI’s APR region, apart from seminars and other events with a bunch of dedicated volunteers. The bottom-line has been to provide sustainable livelihood to the artisans. CCI has always had a humane face, which has touched the artisan’s lives.”
One such life is that of Raja Shekharan, from a traditional Tamil sthapati family, who was chosen to be trained in the use of pneumatic tools at CCI’s Stone Tech programme in 2004. Because of his excellent sculpting skills at the workshop, he was chosen to undergo training at City and Guilds of London Arts School, where he won a competition to be part of the Windsor Castle restoration project. Today his half-lion half-elephant yaali grotesque adorns the corbels of St. Georges Chapel in Windsor Castle. Raja Shekharan’s studio in Bangalore now attracts British and Indian trainees.
Then there is Shilp Guru Guruppa Chetty, a Kalamkari artist and a lifelong friend of CCI. Guruppa’s knowledge on craft of Andhra has proved to be of immense value to CCI, which sponsored his attendance at WCC’s Vienna exhibition.
There are numerous other lives that CCI has impacted, the numerous craftspersons who attend it’s craft bazaars. These include anyone from master weavers such as Varanasi’s Munna Haji Noor Mohammad, Lucknow’s Shilp Guru and chikankari master Rehana, Dr. Ismail Khatri of Bhuj to kite makers and broom makers from U.P. But the biggest smiles come from the children of the Educate to Sustain Programme. They are weaver’s children from Veeravannalur: J. Venkatesh, Narayanan, Shanmughapriya, Subbalakshmi and Priyanka are happily learning languages, math, computer skills and art, while getting trained in the art of weaving at their homes.
CCI’s Golden Jubilee year celebration will begin with the presentation of the Kamala Awards to artisans and activists and a Retrospective Exhibition on April 3. They will continue through the year with special monthly craft-related events in Chennai. The programmes for the next three months will include a quilting exhibition along with the launch of a book on Indian quilts, a craft-related film festival and an Odisha Crafts Festival. The rest of the events, to continue till April 2015, will include exhibitions such as ‘The Future is Handmade,’ Packaging, North-Eastern Crafts Exhibition, Embroideries, Craft Bazaar and Natural Dye Bazaar.

( Report by Pushpa Chari for The Hindu)

Prologue, Spandan - Jaipur and more..

NEWS

Prologue

(work on display)

Vinnyasa Premier Art Gallery, Chennai is hosting a solo art exhibition of the recent works by eminent artist Niladri Paul. This exhibition will be display paintings that create a wonderful bridge between abstract and figurative styles of painting.

Niladri Paul is one of the eminent contemporary artists of the country today. In his current series titled, ‘Prologue’ he tries to capture in abstractions the figures and eloquent movements of various dance forms and nuances of stage and cinema. Dancers in various mudras are brought to life in acrylic on canvases in vibrant colour and form, where the intensity of the intangibility of an art form is made tangible with skill and finesse.

The show is on view till 30th March 2014.

Spandan Jaipur

(work on display)

Jawahar Kala Kendra, Jaipur presents ‘Spandan’, Jaipur’s premier National Art Fair platform for modern and contemporary artists and galleries to showcase their latest creations and collections. It is considered to be among world's most attended fairs as it attracts over thousands of visitors from all across India and the world.

On view are works of 25 groundbreaking artists, who, each in their own time and style, created a new movement in the history of arts. This year the fair aims at taking it a step ahead by delivering a truly enriching art experience to all the visitors.

The art fair is on from 11th April to 16th April 2014.

Anubhuti

Kamalnayan Bajaj Art gallery, Mumbai presents a solo show titled, ‘Anubhuti’ of artwork by artist Shakti Singh Ahlawat, from Haryana. The work displayed has a tendency to lean on the linearity of strokes. While dealing with female figures he gives the impression of going for delicate as well as bold strokes and chromatic harmony; but when he goes to paint rural folk, his approach and technique change.

Strong with line, Shakti Singh has also produced some fine paintings such as “Krishna”. His realistic approach of course speaks a lot for him and his art’s growth. He does wonderful portraits as well in which he excels.

The show is on view from 31st March to 5th April 2014.

(News reports by Sushma Sabnis)

FEATURE

The lost world

Bangalore-based illustrator/cartoonist Paul Fernandes says his exhibition is a gentle reminder of a vanished paradise

(A slice of Bangalore)

From a pensioner’s paradise where gentlemen in suits riding cycles doff their hats to women with parasols in front of pretty cottages and Colonial lamp-posts, the garden city where the retired man had the luxury of his own garden, to the pub city (with pubs for pensioners, the ‘upper crust’, black-out pub with a free drop home, under world pub and the under age pub), the boom town of real state (complete with parts of old houses up for sale), to the “SillyCon” city, Bangalore (Bungaleuru… Bengaluroo… Bangaluru) has undergone a transformation.

And Paul Fernandes, known for his colourful and detailed illustrations of the city as it was around the 70s, showcases this transformation in a series of black and white-sketches.

The work culminates in a poster, “SillyCon City- The Virtual Reality”, a contrast in many ways to his earlier classic, a poster of M.G.Road as it was then. Paul’s illustrations are currently on display at the Indian Cartoon Gallery in the exhibition ‘Bangalore- Swinging in the 70s’.

The exhibition features both the newer illustrations and his older sketches of old Bangalore, showcasing icons like the Dewar’s bar, the Airlines Hotel, the Victoria Hotel, or the 3 Aces (Cabaret), Everest Talkies or Kohinoor. He also captures the sights and sounds of old Bangalore, of the Bangalore club in 1863, horse carriages on South Parade(‘Traffic on South Parade’), a woman at the Museum Road Post Office in a sidecar, wheelies outside Mount Carmel College or of eggs delivered to the house.

According to Paul, his distinctly humourous cartoons/illustrations are a mixture of styles, of history, documentation and architecture.

“The series on the SillyCon city is a spoof of what happens in the city,” says Paul. “So little has been done preserve the heritage of the city so just looking at this old peaceful slice of life would remind people of the way the city was. The exhibition is a gentle reminder of a paradise that is lost.”

“Even though the old must make way for the new, I wonder if it is possible to give the new buildings some thought.”

‘Bangalore- Swinging in the 70s’ will be on view at the Indian Cartoon Gallery, No.1, Midford House, Midford Garden, off M.G. Road, near Big Kids Kemp, Trinity Circle. For details, contact 9980091428.

(Report by Harshini Vakkalanka for The Hindu)

The Calcutta Diaries, Glenfiddich Award Finalists, Balcao and more..

NEWS

Glenfiddich Award 2014 chooses five finalists

( Finalist artist Tauseef Khan with his work)

Glenfiddich announced their five finalists for the Glenfiddich, ‘Emerging Artist of the Year 2014  Award’. The Glenfiddich Emerging Artist of the Year award is the biggest art award in India and in its third edition this year has announced the names of five finalists. The five finalists for this year’s Emerging Artist of the year 2014 are, Tauseef Khan, New Delhi, Sirivella Pragathikumar - Baroda (Vadodra), Shrimanti Saha - Baroda (Vadodra), Ravishankar - Chennai, Chetnaa Verma- Noida.

The five shortlisted artists chosen from Baroda, Chennai and New Delhi will present a group show ‘Five for the Future’ at Gallery Nature Morte, The Oberoi, Gurgaon on April 4, 2014. Chosen by a distinguished jury, one of them will be declared the winner of the coveted award. 

The award has a total value of INR 10,00,000 – it includes INR 1,00,000 cash, three months residency in Scotland with a monthly stipend, materials allowance, travel, accommodation, and culminates with a solo show at Nature Morte in 2014. 

Nostalgia

Rabindranath Tagore Centre, ICCR, Kolkata hosts an exhibition of paintings, sculptures and photographs by artists from Bharat Kala Kendra by 29 artists. The show is titled, ‘Nostalgia’ and displays an eclectic mix of unique artworks.

The artists participating in the show include Tapan Ghosh, Bimal Kundu, Anindiya Paul, Badal Paul, Lakshmi Shaw, R.P. Halder, Ashoke Mullick, Pradip Rakshit and Sourav Nandy.

The show is on view till 28th March 2014.

Balcao

Dhoomimal Gallery, New Delhi presents an exhibition of artists from Goa titled, ‘Balcao’. The show displays works by legends from Goa and the contemporary artists of today’s generation. On display at the show are select works of FN Souza with an eclectic assortment of art works by today’s Goan artists.

The show is curated by artist Subodh Kerkar and he would be presenting a talk on the history of Goa at the show. The show also brings to light Goan folk music and cuisine to delight the viewers with a complete art and cultural experience.

The show previews at 6 :00pm on 2nd April and will be on view till 15th April 2014.

The Calcutta Diaries

( Work on display)

Sakshi Art Gallery, Mumbai presents a solo show of photographs by eminent photographer, Pablo Bartholomew. The exhibition titled, The Calcutta Diaries’ is a selection of photographs from the archives of the photographer of his years in the mid 1970s.

The suite includes his documentation of the Haka Chinese community of South Calutta, his interaction with Satyajit Ray, during the shooting of his cult film, Shatranj Ke Khiladi, and images of his aging grandmother and distinct narratives exclusive to the City of Joy.

Born in New Delhi, 1955, Pablo Bartholomew trained as a photographer from his father Richard Bartholomew, an art critic, photographer, poet, painter and curator.

The show is on from 5th April 2014.

(News reports by Sushma Sabnis)

FEATURE

Vedanta in visuals

Jayadeva wanted to channelise his talent in painting to visually translate spiritual works

(Jayadeva has 41 visuals for each of the shlokas. Photo: Murali Kumar k.)

Legend has it that the Soundaryalahari was given to Adi Shankara by God Shiva and on the way it was snatched by Nandi and torn into two halves, one of which Nandi kept. When Adi Shankara went back to Shiva and told him what happened, God asked him to write the second half, which is what is today, known as the Soundaryalahari.

The first half, comprising 41 shlokas, is considered to be the Anandalahari. The whole poem is written in praise of the Devi or the feminine primordial cosmic energy.

Hunasagahalli Jayadeva, in a first, has brought these shlokas to life by creating 41 paintings to depict each shlokha. Jayadeva then collated his paintings into a book, which he has self-published, calling it the Sri Soundaryalahari-1 Anandalahari in Visuals. Jayadeva also accompanies each shloka with a trilingual translation.

Dr.Gururaj Karajagi, Chairman, Academy for Creative Teaching, shares the story of the Soundaryalahari in his foreword for the book.

“My father was a philosopher and teacher and my childhood was filled with discussions on philosophy, from the life of Adi Shankara to the Upanishads. So when I realised I could paint, I though why not make visuals on these thoughts,” says Jayadeva, a retired art teacher. He has previously painted on sections of the Upanishads, recently exhibited at the Karnataka Chitrakala Parishath. “The Anandalahari talks about self-realisation through the yogic chakras, in order to realise universal parenthood,” says Jayadeva.

And the universal parenthood, as he shows in the painting of the first shloka, is the union of Shiva and Shakti, primordial cosmic energies that are responsible (according to Vedic scriptures) for the creation of the universe.

The painting depicts the Indian trinity of Brahma, Vishnu and Shiva who are considered responsible for the creation, preservation and destruction (transformation) of the universe. The painting shows Brahma and Vishnu bowing down to the image of another Shiva (seen here with his consort Shakti) pouring forth blessings, while a third Shiva established seated near the trinity is shown deep in meditation. “The three figures depict the trinity in this yuga (age). After the cosmic dissolution when this world cycle ends, there will be another trinity. But Shiva-Shakti, being universal consciousness are eternal, and will once again, recreate the world. That is the meaning of the first shloka,” explains Jayadeva, who began working on the sketches in 2006 finally completing his work in 2013.

“The book is a prayer rendered to the celestial parenthood for the protection of the universe. The book also shows how anybody can become self-realised. I have tried to incorporate the main ideas of the book through the visuals for everybody to understand,” he explains.

In one of the images, of the Devi (as Sri Devi Tripurasundari), she is shown carrying a bow, arrows, a noose and a goad, as a representation of the law of karma.

“The book also signifies the importance of inner peace. Just a thought of the divine, brings mental peace. Once we are peaceful, we can then go and bring peace to others. In this philosophy it is believed that we should be able to live in the world, at the same time realise our true nature. That is the message here.”

Jayadeva is now working on a book depicting the shlokas of the second part of the Soundaryalahari.

Sri Soundaryalahari-1 Anandalahari in Visuals is available for Rs. 375 at the Sapna Book House, Gandhinagar; Vedanta Book House, Chamarajpet and Ankita Pustaka, Gandhi Bazar. For details, contact 944879750.

( Report by Harshini  Vakkalanka for The Hindu)

Varanasi Revisited, Amit Ambalal Solo, Visual Panorama and more..

NEWS

Amit Ambalal’s Solo

(Work on display)

Gallery Espace, New Delhi is featuring the latest works by eminent artist Amit Ambalal. The exhibition is a compilation of sculptures and drawings by this Ahmedabad based artist. His themes are mostly based on simple things that surround him like a parrot in the courtyard and monkeys breaking things around. 

His recent works remind him of the wooden toys and different sculptures in the Vaishnava Havelis. Other than his beautiful artworks, Amit also came up with a book on Rajasthani paintings from Nathdwara, which was published in 1987. 

The show is on view till 5th April 2014.

Visual Panorama

( work on display)

The P L Deshpande Art Gallery, Ravindra Natya Mandir, Mumbai presents a group show of mammoth proportions. The show titled, ‘Visual Panorama’ displays the works of 20 eminent and upcoming artists from different parts of the country.

The show displays some realistic, semi-realistic, abstract styles and spiritual expressions on subjects of beauty, divinity and love. The mediums explored also vary from oil, acrylic, mixed media, ceramic, water colours, charcoal etc on canvas and paper and mixed media sculptures and murals. The show is curated by Guruprio Paul and the participating artists are, Prithvi Soni, Ramji Sharma, Ramesh Sharma, Sakalkanti Mitra, Sekhar Roy, Mohan Jadhav, Simi Sharma,  Shashikant Charbe,  Vidya Menon,  Dinesh Singh,Alka Pandey, Ritu Gupta, Sudhir Bania, Adurthi Srinivas Rao, Anjali Yadav, Sandip Visave.

The show is on till 28th March 2014.

Mera Gobind

All India Fine Arts & Cfrafts Society (AIFACS), New Delhi presents an art exhibition by artist A.S. Chitrak. The exhibition titled, ‘Mera Gobind’ is an emotional perspective and vision of Chitrak. His collection showcases the journey of Guru Gobind Singh through his eyes. Chitrak completely submerges himself into his work and portrays scenes and learnings from the stories and fables of the legendary figure.

The works are figuratives with exclusive narratives and a flair of story telling in them. The show commences on 25th March and is on view till 31st March 2014.

Varanasi Revisited

Art Indus, New Delhi presents a solo show of works by artist Reena Singh. The show is titled, ‘Varanasi Revisited’ and on display are art works, paintings specifically rendered in intense abstractions.

The artist has captured the nuances of the culturally rich surroundings of the city of Varanasi in equally vibrant and bold strokes, textures and colours. The history loaded city has a lot to offer in terms of experiences be it art, literature, culture and the artist has taken the pains to depict all of these features in her works. The works, rendered in the acrylic on canvas medium, derive from nature, cityscapes and landscapes, depictions of the Ganga river, boats, temples, etc which complete the whole experience of the city.

The show is on view till 1st April 2014.

(News reports by Sushma Sabnis)


FEATURE

A legacy of art

An accidental discovery of a cache of art of J. Vasanthan has led to the creation of an Art foundation

(Solomon Pappiah inaugurating the JV art foundation.)

English Prof J. Vasanthan who died two months ago, has left behind more than 2,500 brilliant art works. They came to light when his book shelves were being cleared. The discovery propelled his daughter Chandini Appadurai to start the J. Vasanthan Art Foundation.

Besides keeping alive the memory and legacy of the professor, the foundation will also provide a platform for emerging artists and raise awareness and appreciation of art and culture.

Chandini says she often saw her father sketch on the backs of calendars. “In seconds he would come out with a drawing. I did not understand the nuances of his artwork those days,” she says.

Chinnaraj Joseph Jaikumar, Managing Trustee of the foundation, remembers how when Vasanthan was a student in Madras Christian College he would sketch regularly. “Not a day passed without his caricatures displayed on the notice board.” Prof Solomon Papiah, a contemporary of JV, praised the contributions of the late English teacher while his former colleagues and friends Prof Nedumaran and D. Samuel Lawrence recalled his dedication to teaching and his helpful nature. “We have planned a series of art exhibitions in Madurai, Chennai, Puducherry and Delhi culminating on the first death anniversary of my father,” says Chandini.

Objectives of the Vasanthan foundation:

Recover his original works, preserve and document the art pieces.

Conduct a bibliographic research to index his written works since 1950.

Seek the help of art critics to categorise his sketches.

Bring out a coffee table book

Establish an art school

Organise seminars, workshops, lectures by visiting artists and interface with schools and colleges to promote art education.

Through an endowment fund, create scholarships and stipends for budding artists

Hold regular competitions for young people.

(Report by Shailaja Tripathi for The Hindu)

Waste Side Story, Entering the Now, Inner Terrain and more..

NEWS

Waste Side Story

( work on display)

Akar Prakar Gallery,  Kolkata, presents a solo show recent works by eminent artist Debanjan Roy. The show titled, ‘Waste Side Story’ is curated by Paroma Maiti.

The artist has tried to depict the concepts of ‘waste’ in various influential elements, and depicted them through a range of mediums and artistic expressions. From mediums as varied as drawings, sculptures and quirky installations to literally portraying useless objects such as toilet-cleaning brushes, are however laced with subtle undertones of sexual allusions.  All of these could be the results of ‘a’ particular type of society – its political hue tinted with multiple identities of gender, class or religion. The fact that he keeps this zone a grey one makes the works even more alluring.

His sculptures in wood also depict the state of objects, effect of prolonged use, abuse, and subjugation to the relentless squeezing out of its last bit of functional capacity – has been shown without any sympathy, just as it is. The artist likes to look at things from both sides – so he makes a whole ensemble of chic clothes – made out of wasted packets and covers. Debanjan Roy’s solo show is not a mere drab docu-articulation of things turned into waste but more a peek inside the gruesomeness of the human mind and an exploration of the layers of ruthless violence suppressed in its subconscious.

The show is on view till 18th April 2014.

Beyond Horizons

(work on display)

Convention Foyer, Habitat World, New Delhi presents a solo show of oil paintings on canvas by artist Yograj Verma. Titled, “Beyond Horizons” an exhibition which is solidly distinctive from the present swing of the modern art. 

This is the seventh endeavour by Yograj Verma, an artist who develops the thoughts about Indian mythology and embeds those insights by making the canvas and the colors alive. He interpolates the Incredible Incarnations of almighty to uphold the concept of the divine and the myths in the present scenario.

The show is on view from 24th March to 27th March 2014.

Entering The Now

(work on display)

Kamalnayan Bajaj Art gallery, Mumbai presents an exhibition of works by the artist, Rachna Toshniwal, along with veteran artist, Surendra Rao, and visiting Belgian artist, Kris Vandenberghe. The artists will work together at the gallery making art, swapping techniques, and sharing the joy of the creative process. Anyone interested could join in this collaborative artistic space.

‘Entering the Now’ is Rachna Toshniwal's first solo show wherein she explores the intertwining emotional threads of merging, separating, and connecting with the self and other. Through her artwork, Rachna finds a new language – a new way of relating while taking a radical step towards change.

The show is on view from 24th March to 29th March 2014.

Inner Terrain

( work on display)

Icon Art Gallery, Hyderabad presents an exhibition of water colour paintings by artist Akshat Charate. The show is titled, ‘Inner Terrain’ and displays the exquisite and unique art works of the artist.

The works rendered in the humble water colour medium portray distinct narratives in their figurations. The vibrant colours and specific depictions make for an interesting view.

The show is on view till 3rd April 2014.

(News reports by Sushma Sabnis)


FEATURE

Inside the artist’s studio

Workplaces offer unique insights about a person, be it an artist, writer or accountant. Zeenab Aneez goes studio hopping to see what artists of the city have to say about their personal nooks

(Priyanka Aelay at her studio. Photo: Nagara Gopal)

A typical day at the shared studio of artists Parameshwar Raju and Koeli Mukherjee in Masab tank begins with a glass of chai. “While some of the work happens in the studios, the ideas come to us in the oddest of places,” says Raju, who carries his broad-nibbed pens and notebooks with him at all times, like a mobile studio of sorts. “Some of my works happen on flights from Hyderabad to Delhi,” says the artist. Apart from finished works and black canvases, the studio is littered with books on culture theory and mythology - research for Raju’s work, which is curated and documented by Koeli. While Raju’s style is defined by controlled strokes and in depth research, Koeli’s is free flowing, evolving with each stroke of the chiselled bamboo.

(Artist Fawad Tamkanat at his studio. Photo: Nagara Gopal)

Fawad Tamkanat’s space is tucked away in a cosy corner of Banjara Hills. The walls of the little space are lined with finished pieces, works in progress, posters from group and solo shows across the country and world and a few of his daughter’s drawings. Fawad is currently working on a series depicting scenes from the street. “I have a routine; every morning whether I get up late or early, I pack my food and water and come here. I work till about 11 p.m. almost every day. I have a studio in my home as well but I prefer to paint here because here I can entertain people who want to see my work or watch me paint. I have been here for the last 15 years and have grown quite attached to it; it’s a small space but there is enough natural light. My friends are free to walk in the evenings and chat while I work. I enjoy that so long as the conversation is not about films or cricket.”

(Artist, Deepa Nath at her studio. Photo: Nagara Gopal)

Priyanka Aeley’s studio is nestled in a nondescript apartment in Somajiguda. “I don’t want things to be too neat here with just the one canvas that I am working on. I like it that the other works, incomplete and complete ones are here, that there are rolled up canvases here; that gives me the motivation. I have a lot of books here – so whenever I want to relax or take a break from work I can sit back and flip through something. You keep changing the studio space as well; there is a lot of experimentation happening because you don’t have to worry about anything else as in a home. It feels like a studio to me only when I personalise. The moment I come back here, it’s completely about work. I leave everything else back home; no other ideas follow me here.”

(Artist Koeli Mukherjee at her studio. Photo: Nagara Gopal)

Artist Deepa Nath’s studio is a tidy little space that she calls her ‘hideout’.

(Calligraphy artist Parameshwar Raju at his studio. Photo: Nagara Gopal)

“This is basically my hideout where I want to be completely cut off from my family and friends; in fact none of my friends even know this place, I don’t entertain anybody here. That I live so far away helps. I just want to be with my work and my art books. I play music; sometimes classical, sometimes some old Hindi songs. It takes time to get into the flow of painting something and if I am interrupted, I have to start again.”

( Report by Zeenab Aneez for The Hindu)

Terrafly, The Elephanta Festival, Stalked and more..

NEWS

Terrafly

( work by K S Radhakrishnan)

Art Musings gallery, Mumbai presents a solo show of sculptures by renowned sculptor, K S Radhakrishnan. The show is titled, ‘Terrafly’ and on display will be the exquisite small and large scale sculptures in various mediums. 

The show will be hosted at the Jehangir Art Gallery, Auditorium hall and will preview on 20th March 2014 and on view till 25th March 2014.

Terrafly will be on show later at Art Musings Gallery from 26th March to 15th April 2014.

Retrospective

( work on display)

DakshinaChitra, Chennai will be presenting the works of eminent painter, Alphonso Arul Doss, under the title, ‘Retrospective’. It will be a collection of his paintings and drawings since the 1950s until now. There are about 60 works on display that include realistic portraits, water colours, and signature paintings on Christ, Nataraja and time and space series.

The artist was a professor and the principal of a prestigious college of arts and crafts for many years and groomed many famous and talented artists of today. He painted in the period when India was still a young nation and artists were eagerly exploring new facets of freedom and how they could relate to it through their paintings.

He has been the recipient of numerous awards including the National award in 1988. His works are in galleries and collections all over the world. He has held several one man shows in India, Holland, USA, Japan, Korea, Singapore and Bangkok.

The show is on view till 25th March 2014.

The Elephanta Festival 2014

Maharashtra Tourism Development Corporation (MTDC) is organising the 25th edition of Elephanta Festival. The schedule of the event planned is as follows:

March 15, 2014 at Gateway of India 6:00 pm onwards - 

National and international artists like kathak dancer and actress, Prachee Shah; vocalist and tabla player, Pundit Raja Kale; Indian classical flute maestro, Pundit Hariprasad Chaurasia, saxophonist and composer, George Brooks and harpist, Gwyneth Wentick will enthrall audience with their performance.
 
March 16, 2014 at Gateway of India 6:00 pm onwards -

National and international artists like Indian classical dancer and Marathi actress, Tejaswini Lonari; sufi vocalist and Hindi playback singer, Kavita Seth; kathak dancer, Anu Sinha and sitar maestro, Nishat Khan will add charm to the serene evening.
 
March 15, 2014 – March 16, 2014 - Heritage Walk at Elephanta Caves 11:00 am onwards

Renowned academicians Dr Suraj Pandit and Mr Sandeep Dahisarkar will take the participants through a guided tour of the Elephanta Caves.

March 15, 2014 – March 16, 2014 – Sculpting and Painting Contest @ Elephanta Caves
08:30 am – 03:00 pm

The contest is open to all and the entry for the festival is free.

Stalked

Offroad Films presents a solo exhibition of photographs by artist and filmmaker Aishwarya Arumbakkam. The exhibition opens up with an introductory talk by the artist followed by the launch of a limited edition zine. Images and words dodge and find each other in this zine that acquires the voice of a victim enduring stalking. Urgent and in the present tense, the zine battles with several complex emotions like fear, violation, guilt, withdrawal, frustration and resistance.The artists in collaboration are Kabini Amin and Bhavana Vyas Vipparthi.

Opening at Atta Galatta this photography exhibition “Stalked” is an essay of photographs that gives voice to the alarmingly unspoken, ignored and misrepresented trauma of stalking in an attempt to trigger understanding and dialogue. Through the medium of black  and white film photography, the artist portrays a vicarious experience of trauma by expressing the victim’s battle with the intangible encounter and the scars it leaves behind on them. All the people featured in the photographs are victims of stalking.

The show is on view at 7:00 pm onwards on 20th March 2014.

( News reports by Sushma Sabnis)

FEATURE

Life in the spiritual lane

The paintings display myriad inspirations that form diverse styles

( work on display)

Every once in a while all of us need a little inspiration. It could be from anywhere – nature, spirituality, an incident or an individual. It is exactly this which is reflected in the collection of paintings on display at Alankritha Art Gallery. Titled ‘Life Inspired’, this collection of paintings by three artists; M.S. Vasu, Nirmal Karmakar and Avinash Deshmukh, showcases little things that they draw inspiration from.

( work on display)

Nirmal Karmakar for instance draws his inspiration from Krishna. His series of paintings all showcase Krishna in various moods and situations – in one place he is lost in his music and in others he shares tender moments with Radha. Even as Nirmal celebrates Krishna as the true Indian hero, the focus in most of his paintings seems to be on the face and its myriad expressions with an intelligent use of colour and brush strokes.

( work on display)

M.S. Vasu on the other hand depicts a series of sermons being delivered by a monk to all the living beings in nature. From an elephant to a bird, the monk delivers sermons to every living being, with each creature signifying a Brahma Rishi. The message he wants to pass on is that everybody listens keenly when a monk preaches. All the while his works celebrate the various elements of nature and have an air of serenity about them. He uses immense detailing in the backdrop of his paintings with religious symbology and scriptures.

( work on display)

Avinash Deshmukh’s works on the other hand stand apart; he celebrates the innocence of childhood while breaking away from the spiritual line of thought. His series of art works using acrylic on canvas all explore the various moods of two children – a girl and a boy as they go about their lives. From the amazement and wonder of discovering something new to the calm innocence in their sleeping faces, he explores every mood that a child undergoes.

( work on display)

This exhibition of paintings is on view till March 15 at Alankritha Art Gallery.

(Report by Ranjani Rajendra for The Hindu)