NEWS
The theme Padekar has employed in his recent series is one of the celebration of nature in all its vibrancy and interconnectedness he feels to it. The paintings rendered in realistic style with a fluidity about them, are an ode to the fragile connection between human and natural world in ecologically trying times.
The show previews on 17th January 2014 and will be on view till 8th February 2014.
They Are Us
The Viewing Room, Mumbai presents the year’s first exhibition, ‘They Are Us: An Empathic Response’. The show features six contemporary Indian artists working in diverse mediums.
The participating artists Akash Choyal, Lavanya Mani, Prajakta Palav-Aher, Sharmi Chowdhury, Simrin Mehra Agarwal and Vinita Das Gupta are exhibiting works specially created for this exhibition. The show has been conceived and curated by Jasmine Shah Varma.
Addressing the influence of human emotions which are expressed and articulated in the forms of art, like influencing visual arts, poetry, theatre,dance, music, films, literature or any other form of artistic expression, the show aims to acknowledge the effect of emotions on art as an inspiration and acceptance in the creation of the art works through various intricate levels of expression.
The exhibition is on from 16th January 2014 to 8th February 2014.
The show previews on 22nd January 6: 30 pm to 10:00 pm at Noida and will be open to public from 23rd January to 30th January 2014.
( News reports by Sushma Sabnis)
Through the Looking Glass
( work on display) |
Kynkyny Art Gallery, Bangalore presents a solo show of art works by artist Devdatta Padekar. The show titled, ‘Through the Looking Glass’ presents nature inspired works by the Mumbai based artist.
They Are Us
( Work on display) |
The exhibition is on from 16th January 2014 to 8th February 2014.
An Unfinished Portrait
( Work on display) |
Kiran Nadar Museum of Art, KNMA, New Delhi presents a group show titled, ‘An Unfinished Portrait: Vignettes from the KNMA Collection’. The works on display are by some of the legendary Indian artists including, Ramkinker Baij, Richard Bartholomew, Nandalal Bose, Somnath Hore, M F Husain, Ida Kar, Bhupen Khakhar, Madan Mahatta, Benodebehari Mukherjee, Meera Mukherjee, Jeram Patel, Ganesh Pyne, Krishna Reddy, Himmat Shah, Arpita Singh and F N Souza.
( News reports by Sushma Sabnis)
FEATURE
Healing strokes
Art helps us better understand ourselves, our deepest emotions, and in that sense, is a form of therapy
(Healing occurs when we let art move through us. Photo: G. Ramakrishna) |
One of the first things we do when the kid starts tasting everything around is to thrust a set of crayons into its hand. We believe drawing is good, keeps the kid calm and cheerful. When he’s cranky, we divert him with pictures of trees, blossoms, birds — the outdoors. Can art — viewed or practised — bring about behavioural change?
Yes, says Alain de Botton (co-author: James Armstrong) in his book Art As Therapy. Art should be viewed as a tool to find solutions to difficult issues in life, he argues. When we talk airily of ‘art for art’s sake’ we hold back its potential to heal. Look at great art for its hidden emotions. Art is not about history or technique, but about the relationship, the emotional bond, between the viewer and the work. We should not be embarrassed about expressing our feeling towards a piece of art. When museums give you precise information about great works of art (date / dimensions / bought-and-sold), they miss the point of what art is all about, he says.
Take the painting Spring (Fruit Trees In Bloom) by Claude Monet. It is serene, joyous, peaceful — satisfying like siesta. This is how Monet would have wanted us to respond. You can see art as a laundry-chute to throw out excess of emotion, or as a bridge that connects us to others in empathy. Either way, art helps us better understand ourselves, our deepest emotions, and in that sense, is a form of therapy.
“Art makes you an admirer of life,” believes artist Ilango. What is seen / felt through the eyes is pulled inside, and a silent movie, a slide-show, is created. And then art takes you to that point where the activity of creation is pure joy. “It is possible to touch deeper states of being through art, of restfulness, peace and anandha (bliss),” says Srivi Kalyan, art teacher. She says she encourages people to observe themselves and Nature closely, deepening their awareness from within. Then art becomes a tool as well as a tangible and thoughtful friend.
More than just one feeling, art expands and deepens children’s capacity to feel every emotion in a more nuanced way, she says. “The depth of joy I have seen has resembled a tumbling waterfall sometimes, a quiet pond at others. Art creates the space for a wealth of feeling, both conscious and subconscious.”
The themes one chooses to paint or create can have an impact on the nature of one’s happiness, she says. But more than the subject matter, it is the process of creating itself that is the art. “I have seen children so focussed in their work that just a tiny flick of their finger would give away the depth of joy they are feeling, while others have screamed loud, laughed and run around, sometimes all the way out of the classroom to express feelings they are overcome by.”
Practise art when feeling depressed, she recommends, but don’t be judgemental about what you create. Healing happens only when we let art move through us, taking the grief, moulding it, giving it form, then dissolving it. “I would call it compassionate practice of art.” It teaches us how to find happiness, both in creation and observation.
Psychological functions of art
(from Art As Therapy)
Remembering: When we see Vermeer’s Woman In Blue Reading A Letter (1663), we get to know what is important about her. Art is a way of preserving experiences.
Hope: The dancers in Matisse’s painting put us in touch with a blithe, carefree part of ourselves that can help us cope with inevitable rejections and humiliations. It is a rare occasion when life satisfies us.
Sorrow: Art can transform suffering into beauty. When sorrow meets art, we feel less alone in our suffering.
Rebalancing: We may have a tendency to be too complacent, too insecure, too trusting, too suspicious, too light-hearted. Art can balance this, by restoring the missing disposition. We call a work beautiful when it supplies the virtues we are missing.
Self-understanding: When we respond to art, our half-formed thoughts are taken up, edited, and returned to us better than it was before, so that we feel we know ourselves more clearly. The art with which we surround ourselves publicly is a language of communication, self-packaging we practise as much on the walls of our homes as we do on social networking sites.
Growth: When we come across views radically different from our own, we overcome our chronic fear of the unfamiliar, and accept the unknown.
Appreciation: Jasper Johns’ Painted Bronze (1960) nudges us to look at a mundane and familiar object with new eyes. It teaches us to look with kinder and more alert eyes at the world around us.
Healing happens When we let art move through us
( Report by Geeta Padmanabhan for The Hindu)
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